Lisa Cron, on page 129 in Wired for Story, talks about obstacles to block the protagonist’s goals . She states “Obstacles mean nothing unless, beneath the surface, the seeds of that conflict are present from the outset, as they begin pushing their tender shoots through the soil in search of the sun.”
I thought about my novel, Hada’s Fog, when I read that page. I have external and internal conflicts in the first couple of pages, but I’m wondering if I planted enough seeds for the underlying need. What Hada desires in the beginning, is different than what she thought she wanted or needed at the end. Hints for the reader to suspect that everything about Hada is not what it seems is something for me to keep in mind as I polish this last draft. Her complaints and internalizations might be a bigger mask than I intended.
Cron says on page 143, “The story must make complete sense without the reveal, but in light of the reveal, the story must make even more sense.”